PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


PRŌTOCOLLUM 2019/20 is now available
34 visual artists and art collectives from 32 countries:


The 6th issue of PRŌTOCOLLUM, the annually published anthology dedicated to non-Western contemporary visual artists, art narratives and art history, has been released by DICKERSBACH KUNSTVERLAG. PRŌTOCOLLUM’s issue for 2019/20 features contributions by 34 visual artists and art collectives from 32 countries.

Next to its focus on non-Western positions in contemporary art, PRŌTOCOLLUM champions artistic autonomy over editorial sovereignty in order to provide authentic encounters with the presented practices. All contributing artists are invited to independently choose and create their content for PRŌTOCOLLUM without editorial supervision or intervention. This intentional restraint on behalf of the editorial team ensures that no intermediary stands between the artist and the reader. Expert comment and third party evaluation only take place if the artists choose to include such texts with their respective contributions.

The weight given to the artists’ authorship on the pages of PRŌTOCOLLUM is also expressed by the fact that the cover of PRŌTOCOLLUM does not depict any specific artworks and does not highlight any single artist, but instead lists all contributing artists to the respective issue of the journal as equally significant.

To further strengthen regional views and perspectives, PRŌTOCOLLUM has developed its own concept of peer review, by inviting contributors of previous issues to recommend notable artists from their regions. Being able to tap into the knowledge and expertise of such a diverse artistic community puts this journal in a unique position as a platform for non-Western contemporary visual art.

The motto ‘Global Perspectives on Visual Vocabulary’ epitomizes the intention to present a visual arts exhibition in the framework of an art journal, letting the visual flow rather than editorial criteria determine the sequence of the artists’ contributions and layout — undisturbed and uninterrupted by commercial ads or sponsored content. PRŌTOCOLLUM transforms the assembled submissions of a diverse group of contemporary visual artists into an “exhibition in a book”, a visual journey on which each reader embarks by opening the pages of the journal, and a journey that encompasses a wide variety of artistic materials, forms and themes, broadening our horizons beyond the well-trodden paths of Western contemporary art and promoting a new openness for true internationality in the art world.

Dan Halter’s sculpture Black Light, 2006, introduces the 6th edition of PRŌTOCOLLUM. It illuminates the first pages of the journal with the exclamation of “perfection”. Almost like an evocation of something we strive for but never reach, this installation attempts to instigate optimism in a global environment that has turned dark, cold and forbidding. And in this vein the positions the diverse ensemble of global artists present in this 6th issue work hard to counteract, to explain and decipher, to deconstruct and overcome and to finally convict as too pessimistic and misanthropic the dark environment that our world has once again become, after the initial enthusiasm following the end of the cold war, when the “end of history” was both applauded and anticipated with fearful reservation (excerpted from the Editor’s note, page 9).

Including its 6th issue, PRŌTOCOLLUM has chronicled non-Western contemporary visual art for more than half a decade. Since the first edition, PRŌTOCOLLUM has provided a platform for more than 330 artists from 102 countries beyond the Western cultural sphere to present themselves and their artistic positions to an international audience of art scholars, curators, critics and art lovers. In this period PRŌTOCOLLUM has developed into an annual anthology that serves as a reference work, a source of inspiration and a database for those who want to fully immerse themselves with established and emerging art of non-Western origin.

When nowadays the claim is made that the distinction between Western and non-Western art is outdated, then this is also the consequence of a new reality where the central position of the Western art world has been replaced by a grid of regional art centres located around the globe, each contributing to a new multipolar art world. PRŌTOCOLLUM has documented this development that has deconstructed the old division between the West and the non-West and formed a postmodern space of epistemological diversity, a modern contemporary art scene that is largely transnational and in which a new breed of cosmopolitan world artists draws from the profound knowledge of their cultural heritage and creates artworks in order to understand, and, obviously, to deconstruct the realities, ideologies and apparent rationales for a wide variety of social, cultural and political settings.


Red Dot Award PRŌTOCOLLUM
PRŌTOCOLLUM with its editions 2014/15, 2015/16 and 2016/17 is recipient of the coveted Red Dot Award: Communication Design 2017. The decision was made by a jury of 24 design experts who judged a total of more than 8000 works from 50 countries.

German Design Award PRŌTOCOLLUM
PRŌTOCOLLUM has also been presented with a "Special Mention" of the German Design Award 2019, a prize that is awarded by the German Design Council to pioneering contributions to the German and international design landscape.


PRŌTOCOLLUM can be ordered online via www.protocollum.org and the publisher’s DICKERSBACH KUNSTVERLAG website www.dickersbach.net


PRŌTOCOLLUM 2019/20

Languages: English and French
Pages: 300
Format: 21 x 26 cm
Release: October 2019
Publisher: DICKERSBACH KUNSTVERLAG
Price: €38  -  £35  -  $43  -  ¥4500
ISBN:

978-3-9816206-7-2

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Contributing artists of PRŌTOCOLLUM 2019/20 are: Georges Adéagbo (Benin), Clay Apenouvon (Togo/France), Ngimbi Bakambana (Congo), Yassine Balbzioui (Morocco), Nú Barreto (Guinea-Bissau), Nomin Bold (Mongolia), Dalila Dalléas Bouzar (Algeria), Carolina Caycedo (Colombia), Yin-Ju Chen (Taiwan), Minerva Cuevas (Mexico), Zhang Ding (China), Viktor Ekpuk (Nigeria), Safaa Erruas (Morocco), Dimitri Fagbohoun (Benin/France), Gluklya (Russia), Dan Halter (Zimbabwe), Nadine Hattom (Iraq), Khaled Jarrar (Palestine), Koo Jeong A (South Korea), Reena Saini Kallat (India), Lebohang Kganye (South Africa), Jems Koko Bi (Ivory Coast), Andreja Kulunčić (Croatia), Katalin Ladik (Serbia/Hungary), Little Warsaw (Hungary), Mohamed Melehi (Morocco), Timur Si-Qin (Germany), Mitra Tabrizian (Iran), Pascale Marthine Tayou (Cameroon), Mariana Vassileva (Bulgaria), Viktor Vorobyev (Kazakhstan), Yelena Vorobyeva (Turkmenistan), Kamel Yahiaoui (Algeria), Tomoko Yoneda (Japan).




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DICKERSBACH KUNSTVERLAG
DICKERSBACH KUNSTVERLAG e.K. | Amtsgericht Charlottenburg HRA 51069 B | verlag@dickersbach.net | Clara-Wieck-Straße 3 | 10785 Berlin | Germany



PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


PRŌTOCOLLUM 2018/19
21 visual artists and art collectives from 22 countries


The 5th edition of PRŌTOCOLLUM, the issue for 2018/19, features contributions by 21 visual artists and art collectives from 22 countries.

It begins with the title of Isaac Chong Wai’s treatise What is the future in the past? And what is the past in the future?, 2018. These questions, that express the relativity of reality as it is processed in memories and re-examination after the passage of time, also serve as a thematic summary of PRŌTOCOLLUM’s 5th issue that explores artistic interpretations and

representations of historic events, current developments and future projections.

In their works presented in this issue, PRŌTOCOLLUM’s contributing artists reveal the relativity of time and of time-bound perspectives and their intertwining with the way reality is conceived by us, the human beings who are the protagonists in the history-creating flow of time.


PRŌTOCOLLUM is published yearly by DICKERSBACH KUNSTVERLAG, Berlin, www.dickersbach.net.


PRŌTOCOLLUM 2018/19

Languages: English (Parts in French and Spanish).
Pages: 224
Format: 21 x 26 cm
Publisher: DICKERSBACH KUNSTVERLAG
Release: October 2018
Price: €28  -  £25  -  $34  -  ¥3800
ISBN:

978-3-9816206-6-5

Please order your copy of
PRŌTOCOLLUM 2018/19
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28,00 EUR

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Contributing artists of PRŌTOCOLLUM 2018/19 are: Arahmaiani (Indonesia), Zoulikha Bouabdellah (Algeria & France), Isaac Chong Wai (Hong Kong), Paz Errázuriz (Chile), Rafael Ferrer (Puerto Rico), Pélagie Gbaguidi (Benin), Beatriz González (Colombia), Claudia Joskowicz (Bolivia), Ayoung Kim (South Korea),  Olga Kisseleva (Russia), Hew Locke (Guyana), Meng Huang (China), Eko Nugroho (Indonesia), Lilibeth Cuenca Rasmussen (Denmark & Philippines), Anila Rubiku (Albania), Mouna Jemal Siala (Tunisia), Adrián Villar Rojas (Argentina), Wang Qingsong (China), Tintin Wulia (Indonesia), Yao Jui-chung (Taiwan), Zhao Zhao (China)


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DICKERSBACH KUNSTVERLAG
DICKERSBACH KUNSTVERLAG | Amtsgericht Charlottenburg HRA 51069 B | verlag@dickersbach.net | Clara-Wieck-Straße 3 | 10785 Berlin | Germany



PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


PRŌTOCOLLUM 2017/18
39 visual artists and art collectives from 34 countries


The 4th edition of PRŌTOCOLLUM, the issue for 2017/18, features contributions by 39 visual artists and art collectives from 34 countries.

The 2017/18 edition of PRŌTOCOLLUM brings together emerging talents and established artists from across Eastern Europe, Africa, the Middle East, Latin America and Asia, lending prominence to art scenes and developments otherwise under-represented in the Western art circuit. A must-have for collectors and professionals interested in a cross-section of contemporary visual art on a truly global scale.

“The international art scene” as a term and concept is still often understood as a synonym for the activities of Western art institutions and art-related professionals.

In Western art history, the European perspective continues to dominate and Western art critics tend to develop artistic narratives with a European and North-American taste and focus. As a result, there is a conceivable imbalance in the exchange of relevant national and regional practices in art; a limited group of Western institutions continues to determine the canon of ‘international’ contemporary art. Given that PRŌTOCOLLUM’s mission is to address these issues by providing a platform for non-Western artistic perspectives and production, it is of remarkable poignancy that Runo Lagomarsino’s artwork If You Don’t Know What the South Is, It’s Simply Because You Are From the North, 2009, is placed at the beginning of the 4th edition of PRŌTOCOLLUM. This striking aphorism aptly expresses the deficiencies in the mutual understanding between the ‘West’ and the rest of the world, also in terms of contemporary art.


PRŌTOCOLLUM is published yearly by DICKERSBACH KUNSTVERLAG, Berlin, www.dickersbach.net.


PRŌTOCOLLUM 2017/18

Languages: English (Portions in Chinese, French, Portuguese, Spanish).
Pages: 239
Format: 21 x 26 cm
Release: October 2017
Price: €28  -  £25  -  $34  -  ¥3800
ISBN:

978-3-9816206-5-8

Please order your copy of
PRŌTOCOLLUM 2017/18
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28,00 EUR

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Contributing artists: Ilit Azoulay (Israel), Baatarzorig Batjargal (Mongolia), Sonia Elizabeth Barrett (Jamaica/Germany), Adam Broomberg & Oliver Chanarin (South Africa/UK), Ali Cherri (Lebanon), Jasmina Cibic (Slovenia), Ndidi Dike (Nigeria), Cevdet Erek (Turkey), Vadim Fishkin (Russia/Slovenia),  Hako Hankson (Cameroon), Pravdoliub Ivanov (Bulgaria), Januário Jano (Angola), Dejan Kaludjerović (Serbia), Khvay Samnang (Cambodia), Nicène Kossentini (Tunisia), Kwan Sheung Chi (Hong Kong), Runo Lagomarsino (Sweden/Argentina), Li Dazhi (China), Liu Ding (China), Lu Yang (China), Evariste Maïga (Togo), Susana Pilar Delahante Matienzo (Cuba), Yerbossyn Meldibekov (Kazakhstan), Mladen Miljanović (Bosnia and Herzegovina), Sabelo Mlangeni (South Africa), Sandra Monterroso (Guatemala), Atsuko Nakamura (Japan), Iván Navarro (Chile), Valerie Piraino (Rwanda), Pilar Quinteros (Chile), Shubigi Rao (India/Singapore), Mithu Sen (India), Buhlebezwe Siwani (South Africa), NaoKo TakaHashi (Japan), Michael Tsegaye (Ethiopia), Adejoke Tugbiyele (Nigeria/USA), Adán Vallecillo (Honduras), Vertical Submarine (Singapore), Yang Mushi (China)




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DICKERSBACH KUNSTVERLAG
DICKERSBACH KUNSTVERLAG | Amtsgericht Charlottenburg HRA 51069 B | verlag@dickersbach.net | Clara-Wieck-Straße 3 | 10785 Berlin | Germany



PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


PROTŌCOLLUM 2016/17
76 visual artists and art collectives from 50 countries


The 3rd edition of PROTŌCOLLUM, the issue for 2016/17, features contributions by 76 visual artists and art collectives from 50 countries across Eastern Europe, Africa, the Middle East, Latin America and Asia.

PROTŌCOLLUM’s 3rd edition is introduced with Vesna Bukovec’s ironic comment Continue as if everything is right, 2014, alluding to the cognitive dissonance that allows us to continue our life as usual in a

world that is not only full of social and political injustice, war, terror, mass flight and migration, but also experiencing political reactions to these developments in the form of populism and neo-nationalistic tendencies, which are at least as disturbing as the events that caused them. This introduction sets the tone for an issue of PROTŌCOLLUM which is somewhat more sombre and sadder than the journal’s previous editions.

PROTŌCOLLUM is published yearly by DICKERSBACH KUNSTVERLAG, Berlin, www.dickersbach.net.


PROTŌCOLLUM 2016/17

Languages: English (Portions in French, Spanish, Turkish and Russian).
Pages: 324
Format: 21 x 26 cm
Release: October 2016
Price: €35  -  £30  -  $40  -  ¥4100
ISBN:

978-3-9816206-4-1

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PRŌTOCOLLUM 2016/17
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35,00 EUR

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Contributing artists are: Pio Abad & Maria Taniguchi (Philippines), AES+F (Russia), African Art Book Fair, Song-Ming Ang (Singapore), Orawan Arunrak (Thailand), Blažej Baláž (Slovakia), Bianca Baldi (South Africa), Moridja Kitenge Banza (Congo), José Bedia (Cuba), Bili Bidjocka (Cameroon), David Böhm & Jiří Franta (Czech Republic), Vesna Bukovec (Slovenia), Ergin Çavuşoğlu (Bulgaria/Turkey), Alejandro Cesarco (Uruguay), Leung Chi Wo (Hong Kong), Lana Čmajčanin (Bosnia and Herzegovina), István Csákány (Romania/Hungary), Tatiana Danilevskaya (Russia), Diana de Solares (Guatemala), Desire Machine Collective (India), Ernest Dükü (Ivory Coast), Fakhri El Ghezal (Tunisia), Andreas Fogarasi (Austria), Foundland (South Africa/Syria), Mekhitar Garabedian (Syria), Euridice Getulio Kala (Mozambique), Alimjan Jorobaev (Kyrgyzstan), Adela Jušić (Bosnia and Herzegovina), Zhanna Kadyrova (Ukraine), Raja'a Khalid (Saudi-Arabia), Tsang Kin-Wah (Hong Kong), Kapwani Kiwanga (Canada), Leon Krige (South Africa), Michael Lee (Singapore), Youssef Limoud (Egypt), Carlos Martiel (Cuba), Olivia McGilchrist (Jamaica/France), Aurelia Mihai (Romania), Trinh T. Minh-ha (Vietnam), MMMoCa (Nigeria), Naeem Mohaiemen (Bangladesh), Joel Mpah Dooh (Cameroon), Cheikh Ndiaye (Senegal), Abraham Oghobase (Nigeria), Okin Collective (South Korea), Füsun Onur (Turkey), Raquel Paiewonsky (Dominican Republic), Pamela Phatsimo Sunstrum (Botswana), Alexander Povzner (Russia), Jhafis Quintero González (Panama), José Alejandro Restrepo (Colombia), Roee Rosen (Israel), Miti Ruangkritya (Thailand), Graciela Sacco (Argentina), Nomwindé Vivien Sawadogo (Burkina Faso), Massinissa Selmani (Algeria), Sandra Sterle (Croatia), Mariam Suhail (Pakistan), Sutthirat Supaparinya (Thailand), Ana Maria Tavares (Brazil), Tercerunquinto (Mexico), Güneş Terkol (Turkey), The Bureau of Melodramatic Research (Romania), Charwei Tsai (Taiwan), Francisco Ugarte (Mexico), Where Dogs Run (Russia), Miao Xiaochun (China), Lantian Xie (Bahrain), Sun Xun (China), Sharon Ya’ari (Israel), Yang Yongliang (China), Ala Younis (Kuwait), Jakub Julian Ziółkowski (Poland).




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DICKERSBACH KUNSTVERLAG
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PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


PRŌTOCOLLUM 2015/16
92 visual artists and art collectives from 53 countries


The 2nd edition of PRŌTOCOLLUM, the issue for 2015/16, features contributions by 92 visual artists and art collectives from 53 countries across Eastern Europe, Africa, the Middle East, Latin America and Asia.

PRŌTOCOLLUM’s 2nd edition is the largest to date, featuring 352 pages. Its artistic contributions show a global tableau of contemporary visual art with a focus on political commentary and analysis.

 

More than in other editions of the journal a wide range of social and political issues is addressed by the presented artistic positions.

Featuring visual artists, art collectives and artistic practices across a wide range of media, the journal’s 2nd issue once more provides unique access to truly global contemporary art production.

PRŌTOCOLLUM is published yearly by DICKERSBACH KUNSTVERLAG, Berlin, www.dickersbach.net.


PRŌTOCOLLUM 2015/16

Languages: English (Portions in French, Chinese, Spanish, Romanian).
Pages: 352
Format: 21 x 26 cm
Release: October 2015
Price: €36  -  £26  -  $40  -  ¥4800
ISBN: 978-3-9816206-3-4

Please order your copy of
PRŌTOCOLLUM 2015/16
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36,00 EUR

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Take a sneak peek at PRŌTOCOLLUM 2015/16: http://on.fb.me/1SUyqOq

Contributing artists are: Basel Abbas & Ruanne Abou-Rahme (Palestine), Vyacheslav Akhunov (Uzbekistan), Karo Akpokiere (Nigeria), Ammar Al-Beik (Syria), Yuri Albert (Russia), Halil Altindere (Turkey), Jude Anogwih (Nigeria), Alexander Apóstol (Venezuela), Luis Cruz Azaceta (Cuba), Cheikhou Bâ (Senegal), Fayçal Baghriche (Algeria), Ali Banisadr (Iran), Jean-Pierre Bekolo (Cameroon), Anca Benera & Arnold Estefan (Romania), Irina Botea (Romania), Luis Camnitzer (Uruguay), Nidhal Chamekh (Tunisia), Chen Chieh-jen (Taiwan), Chto Delat (Russia), Tiffany Chung (Vietnam), Carlos Cruz-Diez (Venezuela), Blue Curry (Bahamas), Danica Dakić (Bos­nia), Gohar Dashti (Iran), Jose Dávila (Mexico), Gilles Elie-Dit-Cosaque (France), Patricia Esquivias (Venezuela), Etcetera (Argentina/Chile), İnci Eviner (Turkey), Rita Fischer (Uruguay), Fokus Grupa (Croatia), Jeanno Gaussi (Afghanistan), Kendell Geers (South Africa), Gil & Moti (Israel), Marina Gržinić & Aina Šmid (Slovenia), Rula Halawani (Palestine), Hoang Duong Cam (Vietnam), HowDoYouSayYaminAfrican?, IRWIN Group (Slovenia), Délio Jasse (Angola), Hiwa K (Iraq), Šejla Kamerić (Bos­nia), Krištof Kintera (Czech Republic), Barbora Kleinhamplová (Czech Republic), Katarzyna Kozyra (Po­land), Wiz Kudowor (Ghana), Nedim Kufi (Iraq), Miriam Syowia Kyambi (Kenya), Lee Yongbaek (Korea), Zbigniew Libera (Poland), Lucía Madriz (Costa Rica), MAP Office (Morocco/France), Misheck Masamvu (Zim­babwe), Vincent Michéa (France/Senegal), Ivan Moudov (Bulgaria), Lada Nakonechna (Ukraine), Moataz Nasr (Egypt), Aimé Ntakiyica (Burundi), Mahmoud Obaidi (Iraq), OPAVIVARÁ! (Brazil), Open Group (Ukraine), Luis González Palma (Guatemala), Jorge Pardo (Cuba), Pratchaya Phinthong (Thailand), Cameron Platter (South Africa), Shahpour Pouyan (Iran), Ana Prvački (Serbia), Pors & Rao (India/Denmark), Mykola Ridnyi (Ukraine), Luciana Rondolini (Argentina), Steve Sabella (Palestine), Georges Senga (Congo), Sheng Qi (China), Regina Silveira (Brazil), Dimitar Solakov (Bulgaria), Sun Yuan & Peng Yu (China), Teppei Kaneuji (Japan), Barthélémy Toguo (Cam­eroon), Tromarama (Indonesia), Rodrigo Valenzuela (Chile), Mona Vatamanu & Florin Tudor (Romania/Switzerland), Ryszard Waśko (Poland), Pavel Wolberg (Russia), Nil Yalter (Turkey), Héctor Zamora (Mexico), Arseny Zhilyaev (Russia).



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DICKERSBACH KUNSTVERLAG
DICKERSBACH KUNSTVERLAG | Amtsgericht Charlottenburg HRA 51069 B | verlag@dickersbach.net | Clara-Wieck-Straße 3 | 10785 Berlin | Germany



PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


PRŌTOCOLLUM 2014/15
72 visual artists and art collectives from 54 countries


The inaugural issue of PRŌTOCOLLUM, the issue for 2014/15, features contributions by 72 visual artists and art collectives from 54 countries across Eastern Europe, Africa, the Middle East, Latin America and Asia.

This could be a place of historical importance, 1971, was the statement that opened the journal’s first edition in the form of the eponymous sculpture by Braco Dimitrijević

It served as an inspiration and a reminder of the task that PRŌTOCOLLUM was about to approach, developing into an annual anthology of non-Western contemporary visual art, serving as a reference work, a source of inspiration and a database for those who want to fully immerse themselves with established and emerging art of non-Western origin.

As an anthology of contemporary visual art, PRŌTOCOLLUM appears once a year and is published by DICKERSBACH KUNSTVERLAG, Berlin, www.dickersbach.net.


PRŌTOCOLLUM 2014/15

Languages: English (Portions in Thai, Russian, French, Portuguese, Ukrainian)
Pages: 240
Format: 21 x 26 cm
Release: October 2014
Price: €18  -  £15  -  $20  -  ¥3000
ISBN: 978-3-9816206-2-7

Please order your copy of
PRŌTOCOLLUM 2014/15
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18,00 EUR

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Contributing artists are: Ebtisam Abdulaziz (U.A.E.), Ivan Argote (Colombia), Jelili Atiku (Nigeria), Zbyněk Baladrán (Czech Republic), Yto Barrada (France/Morocco), Sergey Bratkov (Ukraine), Luis Camnitzer (Uruguay), Tania Candiani (Mexico), Yoan Capote (Cuba), Rehema Chachage (Tanzania), Anetta Mona Chişa (Romania), Joana Choumali (Ivory Coast), Harandane Dicko (Mali), Braco Dimitrijević (Bosnia), Muratbek Djumaliev (Kyrgyzstan), Rena Effendi (Azerbaijan), Em'kal Eyongakpa (Cameroon), Mounir Fatmi (Morocco), Amir Fattal (Israel), Folorunsho (Sierra Leone), Regina José Galindo (Guatemala), Gao Brothers (China), Carlos Garaicoa (Cuba), Abdulnasser Gharem (Saudi Arabia), Shilpa Gupta (India), Nadia Kaabi-Linke (Tunisia), Peterson Kamwathi (Kenya), Gulnara Kasmalieva (Kyrgyzstan), Jiří Kovanda (Czech Republic), Oleg Kulik (Ukraine), KYZYL Traktor Group (Kazakhstan), Mário Macilau (Mozambique), Mad for Real (China), Taus Makhacheva (Russia), Malam (Cameroon), Maleonn (China), Richard Mudariki (Zimbabwe), Lavar Munroe (Bahamas), Ciprian Mureşan (Romania), Youssef Nabil (Egypt), Nastivicious (Spain/Angola), Ndugu (Ghana), Eustáquio Neves (Brazil), Olu Oguibe, Ahmet Öğüt (Turkey), Adrian Paci (Albania), Dan Perjovschi (Romania), PHUNK (Singapore), Raqs Media Collective (India), R.E.P. Group (Ukraine), Arin Rungjang (Thailand), Mohammed Sami (Iraq), Larissa Sansour (Palestine), Wilhelm Sasnal (Poland), Moe Satt (Myanmar), Kateřina Šedá (Czech Republic), Miri Segal (Israel), Kofi Setordji (Ghana), Sudarshan Shetty (India), Soheila Sokhanvari (Iran), Nedko Solakov (Bulgaria), Richard Streitmatter-Tran (Vietnam), Keiichi Tanaami (Japan), Emanuel Tegene (Ethiopia), Chaw Ei Thein (Myanmar), Lucia Tkáčová (Slovakia), Freddy Tsimba (Congo), Craig Wylie (Zimbabwe), Vadim Zakharov (Russia), Billie Zangewa (Malawi), Katarina Zdjelar (Serbia), Xu Zhen (China).



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DICKERSBACH KUNSTVERLAG
DICKERSBACH KUNSTVERLAG | Amtsgericht Charlottenburg HRA 51069 B | verlag@dickersbach.net | Clara-Wieck-Straße 3 | 10785 Berlin | Germany